This page is for online tickets only. For ‘in person’ Theatre tickets, go to this theatre page. Both in person and online ticket holders will have access to the event recording.

This Discourse will be an evening of exploration of the interconnectivity between art and science, as both process and practice – and how humanity's insatiable curiosity fuels the development of both fields. Over the three-decade practice of British artist Conrad Shawcross, he has dedicated himself to delving into the intricate depths of human perception, employing a nuanced fusion of geometry, philosophy, and optics.

Conrad's sculptural works have interrupted and complimented public and institutional spaces worldwide – including a 14-metre-long spiral cast in aluminium at the Oxford Science Park (Fraction (9:8)) and the transformation of the Roundhouse in 2013 into a vast timekeeping device. You might recognise one of his works, Paradigm, a geometric statue outside the Francis Crick Institute – a piece triggered by Thomas Kuhn’s theory of the ‘paradigm shift’.

His oeuvre, veiled in the enigmatic elegance of rational systems, serves as a testament to his relentless exploration of the boundless realms of cognition. With an array of complex experiments, Shawcross boldly challenges the very fabric of our fragile reality. He explores the intersection between art and science that highlights the interconnectivity between the two subjects in a way that few individuals are able in such a powerful way.

In this Discourse, Conrad will unveil a mesmerising array of live mechanical contrivances and devices sourced from his most recent body of work. As he navigates through the labyrinthine passages of his artistic evolution, Conrad meticulously traces his trajectory across numerous series, each a poignant exploration of the limits of our perceptual faculties. With a keen focus on the elusive boundaries of human comprehension, he brings clarity to the intricate tapestry of ideas and concepts that transcend the confines of visceral understanding.

The evening will prove to be a unique experience, with the opportunity to explore scientific concepts and ideas through an artistic lens.

By booking to attend events at the Royal Institution, you confirm that you have read and agree to the Ri's event terms and conditions.

And as we're always trying to understand more about you our audiences at the Ri, you'll notice we've introduced some optional questions when booking tickets. Please do take a moment to fill them in if you have the time.

Discourses are one of the Ri’s oldest and most prestigious series of talks. Since 1825, audiences in the theatre have witnessed countless mind-expanding moments, including the first public liquefaction of air by James Dewar, the announcement of the electron by JJ Thomson and over 100 lectures by Michael Faraday. In more recent times, we have had Nobel laureates, Fields medal winners, scientists, authors and artists – all from the cutting-edge of their field. Discourses are an opportunity for the best and brightest to share their work with the world.

Steeped in nearly two centuries of tradition, a Discourse is more than just a lecture. To keep the focus on the topic, presenters begin sharply at 7:30pm without introduction and we lock the speaker into a room ten minutes ahead of the start (legend has it that a speaker once tried to escape!). Some of our guests dress smartly for our Discourse events to add to this sense of occasion.

Discourses are free for Ri Members and Patrons - consider joining today.

Find out more about the history of Discourses on our blog.

The doors will open at approximately 6.45pm, with a prompt start at 7.30pm. There will be a brief question/answer period after the talk.

Latecomers will be admitted to the gallery.

Event image credit John-Paul Bland